While this blog is (currently) focused on freelancing writing, freelancing doesn’t make up the whole of my writing business. I also write nonfiction e-books, am (slowly) working on edits for my first print nonfiction book, write fiction for three different audiences (from short stories to a novel-in-progress), and I’m a very active Web publisher. I chose this business model for the diversity it offers —
One of the biggest complaints I hear from new freelance writers is that clients don’t seem willing to pay professional rates. Prospects are tempted by bottom-of-the-barrel offers from hobbyists, scrapers, and people who do little more than regurgitate other people’s articles. The prospect gets more content for their site for less money. The “writer” gets paid. And professionals get screwed in the deal. Let’s emphasize
There is one thing almost every author overlooks when self publishing—and it may surprise you. Sure, there’s lots of talk about the importance of professional editing. Even I’ve written about it. And everyone knows it’s important to have test readers or a writing group who critique your novel. But I’m going to let you in on a secret: writing a good book won’t guarantee sales.
There are some days when I really don’t feel like writing. But the work has to be finished anyway. Sometimes I plug away and get through the day on sheer will. Sometimes it’s more of a struggle and all I can think about is making it to quitting time. Fortunately these long, exhausting days aren’t the norm. Maybe I committed to too much because a
Note: Melissa no longer offers these services. This post remains as archived content for your reference. One of the most common questions I get as an editor is about what different types of editing there are and what each one entails. New clients aren’t always sure what level of editing they need and don’t know how to make that decision. Before you can decide between the