Writing For Print: Why Local Relationships Matter

By on February 7th, 2012

If you are a writer, chances are good that you already understand that relationships in this industry matter. If you want to write for print, this can actually be a subject that is even more vital.

When you write for an online publication it is fairly typical to never meet the person you are working with. Most contact is established via e-mail and subsequent information/instructions usually follow in the same manner. With print, this is not necessarily the case–especially if you start local as so many print writers do.

Getting clips usually means working for smaller publications in the beginning–such as newspapers, local magazines and possibly even writing PR or marketing collateral for area businesses. While this may not mean you meet the editor in person, they are often close by–giving you an opportunity to reach out and sit down with them face-to-face. Whenever you are able to do this; do it.

In the greater publishing world, editors bounce from one magazine to another with astonishing speed. You can get an article accepted by a newsstand publication and not have the same editor by the time you are done writing the piece. Sometimes you may even get a query accepted, only to find out that the new editor has decided they don’t want to publish it after all. It’s tough to keep up!

Local publications tend to retain their personnel a bit better. Sometimes the editor at a local magazine is also the publisher or owner. Those who work at a newspaper may leave to go to another, but not at the pace of people who work for larger magazines. It can be well worth your time to cultivate these relationships a bit so that you become the “go to” gal or guy.

Now this doesn’t mean you have to take the editor out for a fancy lunch, but I would encourage you to try for a cup of coffee. Don’t just drop by their office with a last-minute invite either–feel them out about their schedule and see if they have interest before going for “the ask”. Keep it casual and close to where they work if at all possible, and by all means, pick up the check. After all, if the time spent results in regular work, it will be well worth it.

Here are a few solid ways to build a relationship with a local editor without being too pushy–and yes, I’ve done them all:

  • Send a quick e-mail every month or two just saying hello and reminding the editor you are available for assignments. Include a little banter, such as asking them how they are doing and commenting on the weather. In other words, be polite–don’t just ask for work.
  • Remember them during the holidays and on or around their birthday if you know when it is. If you don’t know their birthday, put that on your “to do” list.
  • Send a brief note regarding something you wrote for the publication. For example, “I picked up the latest issue of My Local Magazine and was really pleased with the way my article on local shopping looked. Thanks so much for giving me the opportunity to write it for you.” Keep it simple and sincere.
  • Send pitches on a regular basis so that your name stays fresh in the editor’s mind.

Do you have any tips for establishing or maintaining a good relationship with the editors at your local publications? Feel free to share!

 

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Freelance Writers: How to Make Time for Marketing

By on February 6th, 2012

As a freelance writer, most of your time will be spent writing. That being said, you need to save time throughout the day for other tasks such as sales and marketing. Even though you may have enough work right now to keep busy, you never know when things are going to slow down. For this reason, marketing your services should be an ongoing task.

But I don’t have time for marketing! This is a common complaint shared by many freelance writers. However, you should not let this complaint turn into an excuse. If you do, you could be harming your chance of future success.

Need more time to market your services? Experiment with these three tips:

1. Set time aside every day. For example, you may decide that you are going to work on marketing related tasks every day from 12 to 1 pm. When you have time set aside it is much easier to focus solely on this task, without ever missing a beat.

2. Create a marketing plan. If you don’t have a plan you won’t know what to do next. And when you don’t know what to do next, there is a good chance that you will end up wasting time while making no progress. No matter if you are a beginner or have been freelancing for many years, you need a marketing plan that you can rely on.

3. Set goals. By setting goals, you will find it easier to hold yourself accountable. In turn, you will always save time for marketing.

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All Freelance Writing Weekly Roundup – February 3, 2012

By on February 3rd, 2012

Happy Friday everyone! Today we kick off our new weekly roundup series (similar to our old Freelance Friday series, but more good stuff). Here’s the gist. At the end of each week I’ll publish a list of things you might have missed this week — our writing forum daily discussions, other interesting discussions from the forum, recent posts here on the blog, other posts I’ve been reading from around the Web, and sometimes I’ll highlight a few oldies but goodies that you may have missed or forgotten about.

Happy reading!

From the Writing Forums

From the Blog

From the Web

From the Archives

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Messy Subjects and Verbs

By on February 2nd, 2012

This morning, as I worked with my kids at school, I realized just how often subjects and verbs get complicated and mismatched. This happens most frequently when you have more than one noun in the subject in the sentence.

Consider the following:

One of the boys jump over the fence.

One of the boys jumps over the fence.

Which one is correct?

Let’s dissect them and see:

The subject in the two sentences is the same. It’s “One”. “Of the boys” is modifying the subject.

So the actual sentence using just the simple subject would be:

One jump over the fence.

One jumps over the fence.

Take out the prepositional phrase and you get:

One jump.

One jumps.

You subject is singular so you use “jumps”. The second one is obviously correct when it’s broken down to this level.

If the sentence changed to:

The boys jump over the fence.

Your subject would be plural and it would be appropriate to use “jump.”

Consider a longer sentence where things aren’t quite as obvious:

Coming home from the race, every one of the track team members want to get an ice cream cone.

For the record, Microsoft Word didn’t flag that sentence as being written incorrectly. There is no green squiggly line underneath it, but it is most certainly wrong.

Take the sentence down the subject and verb: “One want” or if it’s easier “Every one want.”

Wrong!

It should be “One wants.”

If the problem is complicated enough to fool Microsoft Word (which we all know we shouldn’t and can’t rely on, but so many still do), it’s no wonder mistakes get past writers who aren’t proofreading or who aren’t as strong in the language.

Speaking very generally, a multiple subject gets a singular verb. (Boys jump.) A singular subject has what appears to be a plural verb. (Boy jumps.)

This isn’t always true, of course, since like so many things in the English language, the rules are always changing.

Bottom line: Check every sentence you write to ensure that your subject and verb are in agreement. If you can’t tell easily, take that sentence down to the simple subject and verb and compare. Soon you’ll be comfortable with even the most convoluted sentences!

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Stand Up for Your Rates

By on January 30th, 2012

To make a good living from writing, you must (must MUST) charge a rate that you can live on. Years ago, when I first started freelance writing, I routinely accepted jobs for just one or two cents per word. I had a full-time job that paid handsomely, I was just happy to be paid to write, and I didn’t know better. Now, I wouldn’t dream of writing for such a wage and you shouldn’t either, even if you’re not totally dependent on your writing income.

Don’t be desperate enough to accept anything.

You might be tempted to accept a lower rate if you’re short on work and you need money quickly. Knowing that type of situation makes you vulnerable, try to avoid reaching the point of financial desperation. Market your writing services even when you don’t need to and money set aside during your good months to fill in future income gaps. Slumps are often a good time to work on your own projects.

Don’t let clients bully you into a lower rate.

Clients may try to negotiate lower rates by quoting a price from another freelance writer. “Don’t you think $450 is a little steep? I have an offer from someone who’d accept $45 for this project.” I always find it amusing when these clients try to haggle instead of just taking the lower rate offer. There must be a reason they haven’t hired the other writer – perhaps because they realize the end-product may lack quality?

Try to work within the client’s budget.

If you’re truly interested in a project, leave room for negotiations. Clients may walk away when they receive a quote outside their budget if they don’t realize you’re willing to work with them. Let the client know that you can better accommodate their budget if you know what they’re willing to spend. For example, the client may want 20 articles but only has $500 to spend. Instead of lowering your rate, you could offer the client 10 articles for $500, for example, if your rate is $50 per article.

Make sure your rates make sense.

When your rates make sense to you, you’ll have an easier time explaining them to potential clients. Experience, education, credentials, and attention to detail are all reasons why you charge what you do. Helping your client understand this may encourage them to hire you for your rate. If clients aren’t willing to pay your rates, it’s a sign that you’ve either priced too high or targeting the wrong customers.

Know when to walk away.

Sometimes I have a hard time turning down projects; I guess it’s the Samaritan in me. But, it’s ok to turn down a project especially if it’s going to cost you, but don’t do it prematurely. Make sure you’ve taken time to understand what the client is looking for and confirmed you can’t work within their budget. It doesn’t hurt to follow up in a few weeks to be sure the client’s needs have been met. There’s a chance they went the cheaper route, were unsatisfied, and are now willing to pay your rate.

How do you handle clients who want you to change your rates?

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